Soundtrack to My Life

Oh, it was getting about time to participate in another silly meme. So here we go, courtesy of IndianaJane.

Here's how it works:

1. Open your library (iTunes, Winamp, Media Player, iPod, etc)
2. Put it on shuffle
3. Press play
4. For every question, type the song that's playing
5. When you go to a new question, press the next button
6. Don't lie and try to pretend you're cool...
7. Include commentary

Opening Credits: Zak and Sara, Ben Folds Five.
Pretty good start, to a quirky romantic comedy. Which is not at all what I imagine my life to be.

Waking Up: I Can't Help It, Johnny Cash.
Starting the day with unrequited longing? At least the dragging beat fits my typical morning mood.

First Day at School: Wolverine, Sufjan Stevens.
Fitting: hesitant, understated. "Take it in stride, take it in stride, take it in stride. It's not your fault, it's not your fault, it's not your fault". I wish someone had told me that then!

Falling in Love: It's Been So Very Long, Plankeye.
Pop-punk's a strange genre for love, but the lyrics are perfect: "It's been so very long, since I've been man enough, to be the kind of man, if I'm'onna hold your hand."

Fight Song: La redecouverte. Yann Piersen (Amelie soundtrack).
The fight occurs in surreal silence behind a lilting waltz of an accordion, a glockenspiel, maybe, what is that, a klavinette? Is that the right name for that? Anyways: Awesome.

Breaking Up: Pancho and Lefty, Willie Nelson and Merle Haggard.
I throw my banged-up guitar into my rusted musclecar and tear off down a dusty country road. Cue montage of me drinking my sorrows away in a series of increasingly shady roadhouses, finding myself down and out in a gutter, pulling out that picture of my girl that I just couldn't let go of, throwing away my fifth of cheap whiskey in disgust (which shatters, because in movies even cheap booze still comes in glass) and climbing onto a bus headed for home.

Prom: Oh, Fugazi.
This soundtrack rather optimistically imagines my high school to have been much hipper to the indie scene than is plausible for rural east-central Wisconsin. Also, you can't dance to this, but it'd be amusing to see someone try.

Life's Ok: This Is Not a Love Song, The Juliana Theory.
This would make for a very bittersweet sort of "Life's Ok" moment. Maybe this is fitting for a Dark Lutheran? "and you're so far away, and I'm sitting right here. It's ten o'clock your time, and it's one by mine".

Mental Breakdown: Take the "A" Train, Duke Ellington.
Hahahahaha. I love it. My soundtrack is so very appropriately surreal.

Driving: Janine, Soul Coughing. This is more than just a trip, this a journey. A journey of self-discovery. Contemplative, mournful, dirty acoustic guitar scratching, and the gonzo touch of a lo-fi answering-machine recording of a woman singing "The Lemon Tree" (tune-and-rhythmlessly) playing in the background through the length of the song.

Flashback: It's a Scientific Fact, Tom Glazer & Dottie Evans (the Singing Science records). Definitely a flashback, but not exactly what we were going for. "It's a scientific fact that there are belts of radiation in outer space that are a hazard for future space travelers to overcome."

Getting Back Together: Lady Eboshi, (Princess Mononoke soundtrack).
Haunting orchestral melody, pizzicato strings opening to an oboe solo, brimming with mournful hope. The past cannot be forgotten or overcome, but the pain strengthens our love.

Wedding: The Colony Room, The Sea and Cake.
Now is the time for something understated and light-hearted. We don't want to overdo anything.

Birth of Child: Amazon, M.I.A.
What better to commemorate the birth of a child than underground Lankan-British trip hop self-produced on a 4-track mixer in a London basement?

Final Battle: The Gash, The Flaming Lips.
The song is about not quitting, as much as any Flaming Lips song is about anything. I suppose that works. I just wish it had been "Fight Test". That'd have been perfect. Oh well.

Death Scene: Narcolepsy, Ben Folds Five.
I guess that works. It's sort of epic-tragic anyway. I'd like to think of my life as more the former than the latter, but you take what you get.

Funeral Song: Cinders and Smoke, Iron and Wine.
"Give me your hand, take what you will tonight. I'll give it as fast, and high as the flame will rise. Cinder and smoke, you ask me to pray for rain, with ash in your mouth, you ask it to burn again." Ashes to ashes, and dust to dust.

End Credits: Brazil, Grant Green.
(from the Brazil soundtrack, which is something like 17 different versions of the same tune).
A nice electric jazz guitar version of the old standard. A fitting end to the strange movie of my life.